We find ourselves staring down the end of the calendar year, taking stock of this moment in time at the studio. It's been a year of change, growth and gratitude. Here's a look back.
Overall these experiences have felt grounding, yet with every step forward we've felt some nervousness around the financial impact of our growth. We've chosen to see it as an investment in what we can provide. As we look to what next year might bring we hope to continue building a community around the art and craft of papermaking.
In January we're excited about the opening of the c3: Papermaking Residency exhibition that will feature the 4 artists we've worked with over this past summer. Be sure to visit c3's website for information about the exhibition and its associated programs. We'll also start reviewing applications for the next round of residency artists at the end of January, with the residencies occurring at our studio from May through August. We'll follow the same flow of workshop seasons in the spring and fall, and will fit in private workshops, membership rentals, demos in the community, and custom orders around the classes. In many ways we hope 2019 mirrors the ebb/flow of this year, creating a stable platform for our studio and for what we are able to offer.
As we move into our sixth year of operations please consider making a gift to help us keep on top of studio improvements and general overhead. We have fiscal sponsorship via Fractured Atlas and you can make a gift to us via their website. We have a wish list of items we're hoping to purchase with donated funds, and that list is on our support page. And of course we would be happy to take a direct donation of items from our wishlist, just send us an email to discuss.
Many thanks to everyone who has engaged with us this year!!! Your support and interest keeps the studio thriving.
L O N G L I V E P A P E R M A K I N G!
You may have heard the good news, we're moving! At least, our studio is moving. A rental space recently became available at Disjecta Contemporary Art Center and we decided it was worth exploring.
The new space will more than double our square footage, but it will also add a monthly rental cost. We believe this investment in improved space with climate control, public restroom, improved electrical, etc. is worth the increased cost as we can provide better services to our students, artists, and creatives in our community.
In the past we've talked about the increased cost of real estate and living in Portland, and the impact it's made on our choices. That's what prompted us to crowdfund the purchase of a food truck in 2016 and turn it into a mobile studio. We also remodeled our garage into a home based studio in 2017. In other words, we adapted.
Before we tell you more about the new space and our goals for the coming year, we should probably take a look back. Last year was one of extremes. Here's a look at what we did.
All wonderful and positive things! But unfortunately life sometimes takes a turn for the worse, which was our experience in August 2017. Less than a week after Jenn had an exhibition of her Fruits of the Sun project at Portland Art Museum, and just a few days into working with our August residency artist, Jenene Nagy, an arson event took place at our home. We lost both our personal vehicle and the mobile studio to extensive fire damage, and we did not have comprehensive insurance coverage on either vehicle, meaning they were total losses.
In most ways we have been able to recover from this scary, mentally and financially destabilizing event. But we won't sugar coat that the end of 2017 was not easy. It felt like our confidence and momentum hit a brick wall. There was so much wonderful support from our friends, family, colleagues, and sometimes strangers, and that made a world of difference! Ultimately we needed time to process and heal. And for awhile there we were definitely in shock. While we would like to close this chapter and focus on our our move, there are still some lingering details to deal with. The suspected arsonist has been identified and is pending trial for which we will likely testify. And we're also still trying to find a junk yard that will tow away the mobile studio from our driveway. Because of it's size we're not having any luck finding a place that will take it. Let us know if you have a connection that would be able to help!
If you've been following our progress over the last 5+ years, you might wonder how we're able to afford to rent a studio space. First off, our personal finances are a bit more stabilized thanks to our day jobs. Gary is now the Administrative Assistant at Arts People, an amazing Portland based ticketing and fundraising software business, and Jenn is a Project Manager at c3:initiative our partner for the residency program, and an inspiring arts non-profit organization. Secondly, at the end of 2017 we secured fiscal sponsorship status from Fractured Atlas so that we can receive charitable donations to support our studio as it evolves. We are putting our most recent donation funds towards the purchase of a folding table and a refrigerator. If you would like to support these types of studio expenses (rent, equipment, supplies) you can make a secure online donation HERE.
Moving the studio is a leap of faith. We have weighed the pros-and-cons and believe it is the way to put our best foot forward after the loss of the mobile studio. Here's how we hope to grow in 2018.
As we see how the year goes we also hope to add in some low cost and FREE drop-in events to grow our community and get more people engaged with the art and craft of hand papermaking. We are so excited, and of course a bit nervous, for this next chapter! As always, BIG THANKS to all who have been there with us through thick and thin. We couldn't do this without each and every one of you!!!
Over the past two months we've done a bit of travelling for the studio. In September we spent a week as artists-in-residence at the lovely Lone Pine Farm & Studio in Bainbridge Island, WA. It was a wonderful break from the day-to-day dealing with all things related to the fire at our home. We had planned to use the time to try out as many new types of plant fibers as we could, and we did just that. Our hosts at Lone Pine (Sarah and Ryan) were kind, gracious and helpful, providing us with awesome studio space, a cozy sleeping yurt, eggs from their chickens and produce from the farm, a lovely welcoming meal and a tour of the M&E public land site of which they are stewards. If you live in or near Seattle we highly recommend checking out one of their artist talks or events. The farm is just a quick ferry ride away.
As this was our first time as artists in residence we felt a certain urgency about utilizing our time wisely and productively. Processing plants for paper can be very labor intensive, so we tried to give ourselves lots of studio time to work through steaming, stripping, cutting, cooking and beating. In other words even though we had been thinking the residency would be a bit like a vacation, it was really more like intensive and very focused work, but in a welcome way. If we had to piecemeal this type of time together at home it would take us several months to get as much done. The plants we ended up using were fava bean husks, indigo stems, scotch broom bast, alder bast and stinging nettle.
We also made a bit of abaca and some recycled paper fiber from office paper waste to make paper for coloring books for our final Kickstarter rewards. It was a little heartbreaking making the paper for the rewards after losing the mobile studio in the fire. But our Kickstarter backers gave us their support and we want to recognize their generosity.
Once we made all of our paper pulps we had an open studio event where we met some of the locals and enjoyed sharing a bit about what we were doing. After that we had a little over one full day to play and do some art making. Gary worked with the fibers to create layered pulp paintings and Jenn primarily focused on sheet forming for creating charcoal drawings. We both were working through a lot of emotions related to the fire and ended up making work dealing with themes of control/lack of control, impact/dissipation, and chaos/order. We plan on continuing to explore these ideas and expand on this new series, working collaboratively in a call/response type manner. This is our second time developing a body of work as an artist duo, and we look forward to future projects where Pulp & Deckle is not just our studio, but it is also our collaborative artist practice.
We did manage to squeeze in a few adventures outside of the studio (and Gary even recorded an episode of his podcast series - I'll Have a Beer and Talk) during the residency. One evening we saw a beautiful and quiet sunset at Fay Bainbridge Park. Jenn picked up a mussel shell to cast into paper, along with a few seabird feathers, and Gary took lots of documentation photos. Another evening we visited BARN (Bainbridge Artisan Resource Network) to attend a book signing and talk by Tara Whitsitt of Fermentation on Wheels. Tara gave a sauerkraut making demo and tour of her mobile fermentation lab, a converted school bus that she has traveled the country in, teaching workshops and collaborating with schools, nonprofits, community centers and others to expand fermentation education. We felt a lot of simpatico with Tara's ideas and outreach efforts, and it was also really great to check out the amazing facilities available at BARN.
Another positive outcome of the residency was that we were able to try out packing up much of our studio equipment into our new vehicle, a Volvo SUV. Since we lost both our mobile studio and our station wagon in the fire (we didn't have comprehensive fire insurance to cover the cars) we were able to buy 1 replacement vehicle with a loan from family. Until we can get back on more stable financial footing and grow our studio income we will be using the Volvo as both our personal vehicle and to transport studio equipment for offsite workshops, demos and events. While we still hope to replace the mobile studio in the future (you can help out by contributing to our Go Fund Me) we are relieved to have a reliable car big enough to pile much of our equipment into.
Now that we have this residency experience under our belts we are keeping our eyes peeled for other short term or low-res opportunities where we can have the time and space to continue exploring paper made from local plants. We hope to process more scotch broom fibers in the future as it is an invasive plant that yields a really lovely bast fiber. Working with farm waste is also an area we'd like to dig into more deeply. So if you have any suggestions for residency opportunities or artistic collaborations with farms that you think would be a good fit for our papermaking explorations, let us know in the comments or send an email to email@example.com.
In our next blog post we'll recap our trip to the annual Friends of Dard Hunter Annual Meeting in Atlanta, GA. Stay tuned....
Pulp & Deckle is a handmade papermaking studio located in Oregon.